Even when wearing basics, the actress manages to push the envelope, selecting seriously wide-leg pants, a double-lapel jacket (both Chanel) and coordinating cap-toe pumps for the Only Lovers Left Alive photo call.
Black-and-white fashion is taking over Cannes, and brilliantly demonstrates the trend in this Emanuel Ungaro mini with a polka-dot skirt. For a pop of color, she adds orange heels at the Blood Ties photo call.
If this Chloé dress with its chunky belt and high waistline doesn’t seem like something Daisy Buchanan would choose, that’s because Carey is wearing it at a photo call to promote her other big movie, Inside Llewyn Davis.
On the heels of Carey Mulligan’s Balenciaga onesie, selects another strapless black pantsuit – a Christian Dior number with a ruffled, crocheted bustier and coordinating skinnies – along with red-orange pumps for the Catching Fire photo call.
Embracing blue and braids, the actress looks très chic in a bow-tied top, matching tuxedo pants and cap-toe pumps (all by Louis Vuitton), topped with a boho crown plait at a photo call for her movie Le Passé.
You’d think we’d be Gatsby-ed out by now, but we can’t get enough of Carey Mulligan’s flawless style. To kick off Cannes, the actress chooses a beaded black Balenciaga by Alexander Wang jumpsuit with a futuristic rounded neckline. She swaps her go-to Brian Atwood heels for a pair of Saint Laurent T-strap pumps at the photo call for her movie.
When we envision a summer afternoon in the south of France, the sleeveless Dolce & Gabbana dress with its floral detailing is just what we imagine wearing. She dons the feminine design with a bright-red pout that offsets her porcelain complexion at The Great Gatsby photo call.